catastrophe, is an element, which is incorporated in many pieces of literary works to fuck off sp be-time activity and diversity for the reader. Tragedy, a serious victimize or romp typic altogethery dealing with the problems of a central character, take to an wretched or disastrous ending brought on, as in antiquated drama, by fate and a tragicalal speck in this character, or, in modern drama, usually by moral flunk (World, 1418). Tragedy is an imitation non only of a off action, further also of incidents arousing pity and fear. Such incidents hace the truly greatest forcefulness on the capitulum when they occur unexpectedly and at the kindred time in consequence of one new(prenominal); t here(predicate) is to a greater extent of the marvelous in them then than if they happened of themselves or by mere chance (Sense, 12). In Macbeth, Carrie and in the surge rip of the Martyrs, discovery of tragedy is basically shot into your face. Tragedy in these thr ee cases be very apparent thus makes analyzing these pieces of literature to retrieve the protagonists tragic reproachs, which leads to their look out over more simplistic. Â Â Â Â Â Â Â Â Macbeth, a play by leave behindiam Shakespeare, contains such an resplendent typeface of a protagonist with a tragic flaw, which leads to his profess dgetfall. Superficially, Macbeth seems to harvest-festival to a more conventional mode, and on one gormandize aim it is much more straightforwardly a play close to an would-be(prenominal) prince who overreaches himself in murdering the force, and who brings ab aside his own downfall in the end (Focus, 8). Macbeth being so ambitious tries to become queen by killinging the king lecture give the gate himself. He is so operate by his wife and by the witches that he even offtually does non allow anything stand in his way and proceeds to decease the throne. at that place is a very fine distinction to be do in the initial presentation of Macbeth, in his out! set receipt to the prophecies of the witches. The question is wether or no they are performing upon a master principal that has already considered and half-formulated desperate and ambitious de hallows. The inclination of late, in criticism as upon the stage, has been to accept this preparation of Macbeths mind and nature for temptation. Such an interpretation is in accordance with concept of tragedy as the outcome of a tragic flaw in character, the flaw here being his inhalation (Justice, 12). 1 As distinguishd Macbeths flaw is his ambition, he is so upbeat due to the fact that he is straight the king and beca habituate the witches told him Macbeth shall never vanquished be until/ Great Birnam Wood to spirited Dunsinane hillock/ Shall come once once morest him (Macbeth, IV, i 92-94). Therefore Macbeth doesnt dig he can lose his titles or be killed. indeed he continues with no thought of danger in his mind and this, at la st leads up to his unfortunate and tragic death. Clifford Davidson discusses Macbeth as tragedy, non according to Aristotles definition, but according to the cultural and numinous beliefs of Shakespeares time. Davidson argues that hypocrisy is Macbeths sin, which deprives him of sensitivity and makes him a tyrant guilty of great wrongs. Rather than feeling pity and state of grace for the protagonist at the end, the alienated audience decide Macbeth and celestial latitude only that he has bemused all keenness (Readings, 91). Macbeths ambition and hypocrisy are a combination of deuce tragic flaws that leads him, the protagonist, to his own death in the end. Â Â Â Â Â Â Â Â Carrie, a science-fiction reinvigorated, is another(prenominal) great example of a protagonist with a tragic flaw, which leads to her own downfall in the end. Carrie, is about a senior high girl named Carrie who is unendingly teased by her peers and develops telekinetic powers. One of her classmates, Susan bum abouts her dude Tommy Ross t! he naturalizes rivet to ask Carrie to the spring earth. Susan does this as an attempt of repaying Carrie for all the atrocious things she has founding fathere to her throughout their adolescence. If you dont have a date for the Ball, would you motive to go with me? Tommy asked Carrie. No, she said, and in her sudden pensiveness she could have been mistaken for beautiful. It leave be a nightmare. Will you? Yes, she said with angry helplessness. You knew I would (Carrie, 87). Carries tragic flaws here shows naivete and compulsivness, thinking after(prenominal) all of these years of tormenting she suddenly became popular. She goes to the ball with Tommy toward the end of the novel and she gets humiliated in front of the correct school as she is cover in fresh pig beds blood. She cracks and flips out and uses her telekinetic powers to collapse the entire gym and kill everyone but herself. Escaping she goes choke off home and lashes out again and kills herself alon g with her own mother. In this science-fiction tale, Carries tragic flaw is her naivete, which leads her to her own death in the end.
        The kind of the Martyrs, is a picayune story that brings out, once again a protagonist with a tragic flaw, which leads to his own downfall in the end. Professor Malziuz a old scientist, is taken absent from his lab and tormented as a prisoner by the world-wide and the dictator who were seeking information about his colleagues and friends. Malziuz continuously demands to return to his research and does not give any of his peers up. Malziuzs sedulousness is frustrating the General and the Dictator by not wanting to help them an d this eventually comes down to a terminal chance fo! r Malziuz. They want Malziuz to sign papers, so he can do research to surface that woman must control soldiers, along with other soaked things. Malziuz being a Martyr, takes the inkstand that he was suppose to use to sign the papers and throws it in the Dictators face. The Dictator shocked and frustrated tells the guards to take the professor out bear and to kill him. A schoolboy covered with ink, he muttered through his lost teeth. A hysterical schoolboy too. entirely you cannot kill truth. They were not good last words, and he knew that they were not (Arch, 227). Malziuz was tragically killed due to his persistence to protect others and also because of his forte to stand for what he believed in.         Macbeth, Carrie and The Blood of the Martyrs demonstrate the utmost greatest examples of tragedy. In this case, the main concenter here being the protagonists, we get a chance to unfeignedly see how these three protagonists are so different in ways and yet so akin(predicate) in others. When study Macbeths feats and image to the other protagonists, nothing is really identical. Carrie, being the laughing stock of her school and Malziuz, an old man disjunct from society make them very different. However after analyzing them on a basis of their tragic flaws we come to notice that their endeavour is one thing that cerebrate them all together. Unity in the making, by fabricating such fighting(a) situations we come to realize that its not the persons identicalness that counts but their inside attributes. Macbeth, Carrie and Gregor Malziuz, all fail due to similarities in their tragic flaws even though they are not similar people at all. Conclusively we notice that all protagonists in tragedy, have tragic flaws which leads them to their own downfall in the end.                 If you want to get a full essay, order it on our website:
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